Difference between revisions of "The Pre-War Fight Over Neon Signs And Radio"
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Latest revision as of 20:28, 23 September 2025
When Neon Crashed the Airwaves
Strange but true: in the shadow of looming global conflict, the House of Commons was debating glowing shopfronts.
the outspoken Mr. Gallacher, stood up and asked the Postmaster-General a peculiar but pressing question. Was Britain’s brand-new glow tech ruining the nation’s favourite pastime – radio?
The answer was astonishing for the time: around a thousand complaints in 1938 alone.
Think about it: the soundtrack of Britain in 1938, interrupted not by enemy bombers but by shopfront glow.
The Minister in charge didn’t deny it. The snag was this: shopkeepers could volunteer to add suppression devices, but they couldn’t be forced.
He promised consultations were underway, but admitted consultations would take "some time".
In plain English: no fix any time soon.
Gallacher pressed harder. People were paying licence fees, LED neon signs London he argued, and they deserved a clear signal.
Another MP raised the stakes. What about the Central Electricity Board and their high-tension cables?
The Postmaster-General ducked the blow, admitting it made the matter "difficult" but offering no real solution.
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Looking back now, this debate is almost poetic. Back then, neon was the tech menace keeping people up at night.
Jump ahead eight decades and the roles have flipped: the once-feared glow is now the heritage art form begging for protection.
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What does it tell us?
Neon has never been neutral. It’s always forced society to decide what kind of light it wants.
In truth, it’s been art all along.
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Here’s the kicker. When we look at that 1939 Hansard record, we don’t just see dusty MPs moaning about static.
So, yes, old is gold. And it still does.
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Forget the fake LED strips. Real neon has been debated in Parliament for nearly a century.
If affordable neon signs in London got MPs shouting in 1939, it deserves a place in your space today.
Choose the real thing.
Smithers has it.
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